Marianne Gedigian, flute
Colette Valentine, piano
March 10, 2018 | 5:30pm | Recital Hall
American Printing | Whitewater Community Foundation
|Sonata in F minor, TWV 41:f1
|Georg Philipp Telemann
|Sonata for Flute and Piano
I. Heiter Bewegt
II. Sehr langsam
III. Sehr lebhaft
|Le Tombeau de Couperin for Flute and Piano
Arr. Robert Stallman
|Concertino for Flute and Piano, Op.107||Cecile Chaminade
Professor of Flute and holder of the Butler Professorship in Music at The University of Texas at Austin Butler School of Music, was a regular performer with the Boston Symphony Orchestra for over a decade, including several seasons as Acting Principal Flute under Seiji Ozawa. As Principal Flute with the Boston Pops Esplanade Orchestra and Acting Principal Flute with the Boston Pops, Ms. Gedigian has been heard on dozens of recordings and Evening at Pops television broadcasts as well as the nationally broadcast Fourth of July specials. She has also been heard on several John Williams’ movie scores, including Saving Private Ryan and Schindler’s List . In the 2000 – 2001 season, Ms. Gedigian was invited by Mariss Jansons to perform as Acting Principal Flute with the Pittsburgh Symphony Orchestra. Her solo performances have taken her around the world, including recitals in Japan, Australia, England, and Armenia and she has appeared as concerto soloist numerous times with the Boston Pops Orchestra and with the Armenian Philharmonic performing her own transcription of the Khachaturian Violin Concerto. She was featured with Ian Anderson of Jethro Tull fame in a performance at the Berklee College of Music in Boston. Ms. Gedigian has been a featured soloist and teacher at numerous National Flute Association conventions across the country, and is a frequent recitalist and teacher for flute clubs in the United States, Australia, Japan, and England.
Ms. Gedigian was a first prizewinner in the National Flute Association’s Young Artist Competition, and the James Pappoutsakis Memorial Flute Competition. She keeps an active schedule as a chamber musician as a founding member of the Boston-based Walden Chamber Players and was formerly a member of the Dorian Wind Quintet. Her solo recordings include Voice of the Flute and Revolution, both with pianist Rick Rowley.
Ms. Gedigian is on the summer faculty at the Brevard Music Center, and has served on the faculties of Boston University’s College of Fine Arts, The Boston Conservatory, the Round Top International Institute, and the Tanglewood Music Center. Ms. Gedigian’s teachers include Leone Buyse, Doriot Anthony Dwyer, Clement Barone, and Donna Olkowski.
is one of the most active professional collaborative pianists in the United States, joined the faculty of the newly created Collaborative Piano Department at the University of Texas at Austin’s Butler School of Music in the fall of 2008. She completed her Doctor of Musical Arts degree in Piano Performance at the State University of New York at Stony Brook with Gilbert Kalish after earning Bachelor of Music and Master of Music degrees from the University of Maryland where she studied with Nelita True. From 2000-2008 she was on faculty at Long Island University, C.W. Post Campus, as an instrumental repertoire coach and faculty recital partner. She was also a faculty member at New Jersey City University from 1996-2008 where, in addition to coaching students and performing with faculty and guest artists, she taught courses in The Application of Theory in Performance and The Art of Accompanying. In the summers, she joins other professional colleagues as a coach at the Interlochen Adult Chamber Music Camp in Michigan.
Critically hailed for her “clean, sparkling technique” (Salt Lake Tribune) and for her “consummate skill and musicianship” (Classical New Jersey), Colette Valentine has performed in such important venues as Weill Recital Hall at Carnegie Hall, the 92nd Street Y, the Metropolitan Museum of Art, the Kennedy Center, the Library of Congress, the Phillips Collection, the Corcoran Gallery, and internationally in Paris, Zurich, Tokyo, Seoul, and Hong Kong. As pianist of the Ecco Trio, praised by the Washington Post for capturing “the intimacy of chamber music at its best”, she has toured the United States and Japan. She has also collaborated in chamber concerts with the New York Philharmonic Winds, St. Luke’s Chamber Ensemble, the Washington Chamber Society, the Left Bank Concert Society, the Grand Teton Music Festival and the Rembrandt Chamber players, among others. For many years, she has been official staff pianist for the William Kapell International Piano Competition, the Gina Bachauer International Piano Competition, the Washington International Competition for Strings, and the National Flute Association National Convention. She has also served in that capacity for the Leonard Rose International Cello Competition, the Marian Anderson International Vocal Competition, and the Music Teachers National Association Competitions. She has recorded for the Albany, fontec, Antara, Well-Tempered and CRI labels.